WOODEN ARCHITECTURE

Ancient wooden churches and temples have been preserved in the Russian North. The buildings amaze with perfection, simplicity and logical designs.
The development of wooden architecture in the north was determined by the abundance of building materials such as spruce, pine and larch. The wood made it possible to construct not only solid structures that met the Pomors’ living conditions, but also buildings that are artistically beautiful.

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WOOD CHIP BIRD

A wood chip bird is a carved wooden toy with a thin petal for the bird’s wings.

The plumage and tail of these birds were carved from split pine, which is why the birds were called «splinters». The bird’s «personality» depends on the «mundane» life of a tree: on the growing conditions of the pine and on the number of sunny days per year.

Growth rings form the texture of a bird and a unique pattern of its wings. According to the beliefs, the wood chip bird brings many blessings to the house. This bird is also a symbol of the sun. Back in the days those birds were hung in almost every peasant’s house — in the sacred corner, over the dining table, in front of the Russian stove or over the child’s crib.


WOOD CARVING

The elements of the house were decorated with carvings — cornices, window frames, porch decorations, partitions and doors, furniture, arches, sleighs, dishes and other household items. Russian’s artistic creativity was most visual in the decoration of the Russian spinning wheel. In the north it was affectionately called «pryalica» or «pryalica-kokorica».

Carved spinning wheels were common in Pomorie and Kargopol. An entire tree (spruce or pine) was often cut down to make a spinning wheel: a leg and an axle were carved out of the trunk and a seat was cut out of the branches. A lot of emotional warmth was invested in these artistic designs.



TRADITIONAL PAINTINGS

The art of wood painting has always been actively developing in the northern region.

Northern Russian peasant paintings are one of the youngest types of folk art. The core images and motifs of folk painting of the Russian North are found mainly in the paintings of residential buildings and household items.

Russian’s artistic creativity was most visual in the decoration of the Russian spinning wheel. In the north it was affectionately called «pryalica» or «pryalica-kokorica».

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SYMBOLISM OF THE PAINTING

A circle (which symbolizes sun) is often the main motif of the pattern. Sometimes a flower with six or eight petals was placed in the center of the circle.
The motif of a circle (sometimes a rhombus or a hexagon) with a radiant or floral frame is well known from the northern paintings. Apparently geometric signs, which played a significant role in the composition, carried a certain semantic load.
For example, archaeological materials give a suggestion that the rhombus figure is a symbol of fertility. Judging by its place in various compositions, it could mean soil, a plant and a woman at the same time.


GRAPHIC AND PICTORIAL PAINTINGS

Graphic paintings are associated with the old Russian art of recopying and design of books, icon painting, lubok print. In graphic paintings, a significant role was played by a line - a contour of the ornament. It distinctly outlined the images on a light background using black or brown colors.

Free-brush (pictorial) paintings became widespread somewhat later - in the second half of the 18th century. These paintings are combined not only by the general technique, but by almost the same motif - different colors were applied with oil paints on an oil background.



TRADITIONAL CRAFTS

Art and folk crafts are widely developed in Arkhangelsk region. These include bone carving, gold and pearl sewing, birch bark crafts, copper crafts, Usolye finift (painting on white enamel), cooperage craft, Kargopol pottery and clay toys, blacksmithing, weaving, embroidery, patchwork, patterned knitting, kosuli painting.
Forged copper dishes and utensils were used in the peasant house. The copper industry was developed in Solvychegodsk District, on Kegostrov, in Mezen. There church bells were casted according to their own recipes, which created a rich musical palette of northern ringing.

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KARGOPOL TOY

Kargopol clay toy making is a traditional craft, the most recognizable and famous brand of Kargopol. Over time, the methods and means of making and decorating toys have changed. Forms of the toys go back to the old times, have a symbolic meaning and retain the connotation of ancient beliefs.

The Kargopol toy represents single figurines, holidays, scenes from village life, as well as fairy-tale characters – a mythical creatures Polkan and Berehynia, toys in the form of birds. Kargopol clay toy takes one of the first places among Russian folk crafts toys, thanks to the masters Ivan Druzhinin, Ulyana Babkina and the dynasty of potters-toy makers Shevelevs.


KHOLMOGORY BONE CARVING

An unique art of Kholmogory bone carving has been flourishing for more than 400 years. Since ancient times, the northerners have harvested seals and gathered “fish tooth” (walrus fangs) and walrus bone in the polar seas. Mammoth fossilised bone was collected on the Arctic Ocean shores.
Expensive ivory was brought from abroad to fill the needs of bone carvers. A simple tube cow bone was beginning to look like a noble one in the hands of skilled craftsmen.
The bone was carved all over the north: from Arkhangelsk to Solvychegodsk and Veliky Ustyug. However, Kholmogory, the birthplace of great Lomonosov, became the center of the bone carving craft.



TRADITIONAL COSTUME

At the end of the 19th and early 20th century the women's clothing set with a sarafan remained traditional in the Russian North. The sarafan set consisted of a shirt, one or more skirts and an apron.

A belt, a scarf (or a shawl), headwear and shoes were mandatory attributes of the outfit. The important part of the festive sarafan set was shoulder clothing: korotena (or dushegreya – a sleeveless jacket), epanechka (a mantle), shugai (a short jacket). In additions there were neck and chest decorations made in various shapes and designs and jewelry – earrings, rings, bracelets.

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TRADITIONAL COSTUME

At the end of the 19th and early 20th century the women's clothing set with a sarafan remained traditional in the Russian North. The sarafan set consisted of a shirt, one or more skirts, and an apron. A belt, a scarf (or shawl), headwear and shoes were mandatory attributes of the outfit. An important part of the festive sarafan set was shoulder clothing: korotena (or dushegreya – a sleeveless jacket), epanechka (a mantle), shugai (a short jacket). In additions there were neck and chest ornaments made in various shapes and designs and jewelry – earrings, rings, bracelets.

EMBROIDERY

Gold embroidery craft was widely spread in Arkhangelsk region. Clerical clothing was embroidered with gold threads. Monasteries in Shenkursk, Solvychegodsk, Kargopol, and Sumsky Posad were the centers of gold embroidery craftsmanship. Gold embroidery in the north was done as early as the 16th-17th centuries when the gold thread was brought to Arkhangelsk from abroad. However, gold sewing became more widespread in the 18th century, which has to do with the development of domestic production of gold and silver threads.


NORTHERN TALES AND FOLKLORE

The Arkhangelsk North is a treasury of oral creativity of the Russian people, it is known as the birthplace of great poets.
Arkhangelsk region is the richest reserve of musical folklore which represents a historical fusion of the song culture of early Slavic state’s various regions.

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NORTHERN FAIRY-TALES

The Arkhangelsk North is a treasury of oral creativity of the Russian people, it is known as the birthplace of great poets. Scientists have long noted that the Russian North gave its own northern versions of the all-Russian fairy tales. The tales are so distinctive and so vividly reflect the colors of the north, the personality, life and work of the northerners that they inspired works of professional creators.

It was the origins of northern fairy tale that nourished the creativity of innumerous unique first-class writers such as Mikhail Prishvin, Boris Shergin, Stepan Pisakhov.



SONGS AND BYLINAS

Arkhangelsk region is called the richest treasury of folklore.

The northern peasants were not only farmers, hunters and fishermen – in their spare time they “engaged in crafts which were meant to preserve epic songs”. Weaving nets, making equipment for hunting and fishing, tailoring and shoemaking skills gave them the opportunity to tell and listen to bylinas (epic poems) for hours.

It was said that bylinas are “told” or “sung”. But they were not just sung, they were performed in the recitative style. Each storyteller considered himself obliged to sing the bylina as he heard it himself, traditionally.



GASTRONOMIC TRADITIONS

Arkhangelsk region is a huge territory in the North of Russia, which includes such steady expression as the Russian North, the Land of the Pomors and the Arctic!

Pomor cuisine is considered to be the authentic regional cooking. Pomors are fishermen, tradesmen, sailors and Arctic explorers. They are strong-minded people with a free spirit.

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TETERA

Tetera means “sun in the house”, so on the day of the spring equinox, when winter and summer converge, in the villages of Kargopol people begin to bake teterki – crullers made of dough rolled into bundles. It is laid out in the form of spirals, lattices, circles, plants and birds. The sun appears which means spring is coming in a hurry and pushing the winter away...

Housewives baked the northern ritual cookies for the day of the spring equinox. Children ran to hillocks with it to call out the spring. They climbed higher, stretched their teterki to the sun and called for it with ringing voices: “High sun, show yourself! High sun, dress up.”



ARKHANGELSK KOSULYA

The first commercial seaport of Russia was founded in 1584 in Arkhangelsk. An active trade fair with foreigners began here. Because of this cinnamon and sugar appeared in the Russian North, and with the merging of Pomor and European traditions, a beautiful Arkhangelsk kosulya was born!

Traditions of ceremonial Pomor and Leshukonskoe kosulys intertwined in this kosulya, but now with the addition of European spices. Arkhangelsk kosulya has received well-deserved attention and still catches tourists’ eye.




ART RESIDENCES AND CREATIVE SPACES


Photo credits to: M. Radchenko, N. Vymorkov, F. Pil'nikov, O. Tret'yakova, M. Vilyukova, Ye. Kolpakova, risunok A. Menukhova, Ye. Legostayeva, Ye. Shelkovnikov, Ye. Terpilko, L. Verkhotseva, A. Samokhvalov, A. Lyutoyeva, L. Verkhovtseva, N. Neverov, S. Syroporshnev
Use of the materials is authorised provided to the sourse to pomorland.travel. Texts, photos and videos can be used in the commercial purposes only under consent with the authors.

For the page was used information from the Internet project of the Arkhangelsk Regional Scientific Library named after N.A. Dobrolyubov "Cultural heritage of the Arkhangelsk North"

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